Lush Naupaka (2018)
Lush foliage of the Naupaka plant fill the frame in this intimate fine art landscape photograph taken in Kauai on the beach near Poipu.
There are two varieties of the Naupaka, one growing near the sea called Naupaka Kahakai, the other in the mountain is called Naupaka Kauihiwa. Each bears what appears to be half of a blossom and when placed together, they form a perfect flower.
There are several local Hawaiian legends about these plants. One story tells of two lovers, forever separated by the vengeful wrath of the Volcano Goddess Pele. Pele’s home is believed to be the summit of Kilauea on the big Island. Pele had a very beautiful and loving sister named Princess Naupaka who she was jealous of because the people loved her. One day, Princess Naupaka was walking on the beach and noticed a very handsome young man standing in the water. When their eyes met, he smiled and told her his name was Kauai and she fell instantly in love with him. Naupaka went to her sister Pele to ask permission to marry Kauai. Pele told her sister she would go down to the beach the next day to meet this young man and would make her decision then. The next day when Pele saw Kauai, she found him very pleasing and decided she wanted him for herself. Pele told Kauai he had to come live with her. Kauai replied, “I cannot, for I met your sister, Princess Naupaka, the day before and I love her.” Enraged, Pele chased the couple up to the mountain, hurling fiery lava after them. Princess Naupaka, took a blossom from her hair, ripped it in two and gave Kauai half of it. Pele’s other sisters took pity on the young man and transformed him into the Mountain Naupaka, the same blossom Princess Naupaka was wearing in her hair. Pele then turned her vengeance on her sister, chasing her down to the ocean. Once again her sisters intervened and transformed the princess into Beach Naupaka. Both Naupaka plants exist today; one on the shore and the other up on the mountains, each blooming as half flowers. It is said that the lovers can be reunited when the flower of the Naupaka Kuaihiwi and the Naupaka Kahakai are joined together after they have been picked.
Photo © copyright by Matt Payne.
Acrylic Fine Art Print - Ready To Hang
This is the most incredible finished product that I offer.
Your fine art is carefully placed behind an acrylic glazing and another archival substrate. This is the premier presentation system for bringing detail, color and tonal range to life in a way that traditional photo framing cannot. For this presentation style, world-class polyester photographic material is used for amazing color and longevity.
These works of art are Face Mounted on lens-grade optically clear 1/8″ TruLife Anti-Reflective acrylic. This revolutionary product delivers the highest-resolution viewing experience of photographic artwork available today. TruLife acrylic is also abrasion-resistant, helping preserve the life of the print. With lifelike colors, incredible depth and clarity, TruLife is the best way to show high quality art. The edges are hand polished for a crystal clear look. The Acrylic Face Mount comes ready to hang with a z-bar hanging system. An acrylic face mount piece of art will look great against most any wall type.
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ChromaLuxe Fine Art Metal Print - Ready To Hang
ChromaLuxe Metal Prints are produced using Dye Sublimation technology to infuse inks into specialized aluminum plates that have been finished with a fine multiple layer polymer. ChromaLuxe’s archival qualities, image brilliance, and durability make it an excellent all-around choice.
Two metal surfaces are available - a glossy surface with more pop and saturation (albeit with more glare and reflective properties), and a mid-gloss satin surface with similar color intensity and detail as the glossy option, with reduced glare. By default I print on glossy unless you indicate otherwise by contacting me.
My ChromaLuxe metal prints are finished with a float mount system on the reverse and either a z-bar or wire for effortless hanging on delivery. No exterior framing is required.
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The process of printing on this medium can rarely result in defects in the print medium that are barely noticeable. This is not something that can be controlled in the lab.
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